Summer Series ~ Research and Short Narratives ~ May into June

Summer Series ~ A Mixed Miscellany

We have various short topics to discuss. Compiling them into our Summer Series seems a smart idea. (Of course, what looks good on paper sometimes doesn't translate to reality!)

Fiction / Poetry / Nonfiction / Interviews with Writers 

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INTERVIEWS begin in mid-June.

SHORT NARRATIVES for fiction, poetry, & nonfiction begin on May 25

MAY

May 18 Research / 3:21 / Episode 110

Research: a Ho-Hum topic? Not quite.

Research is necessary in all realms of writing.

Whether discovering the details that given veritas to our fiction, the details that we shouldn’t get wrong in commemorative poems, or just adding specific and elaborating details to our nonfiction, HUMDRUM RESEARCH is totally necessary.

The challenge comes in determining how many research details to use.

• 1:11 Check-In
• 2:50 Opening
• 3:27 Challenges
• 3:49 Fiction and Research
• 4:31 Light Hand
• 5:17 Active Use of Research
• 5:52 Amount of Research to use
• 7:26 Poetry and Research
• 9:11 3 Chief Elements when presenting Occasional Poems
• 9:16 4 Requirements of Song
• 10:06 Public Ceremonies
• 10:35 Writing for Independence Day
• 12:50 Checklist for any poem / 10 To-Do’s
• 13:46 Walt Whitman
• 17:45 R. Waldo Emerson
• 20:40 Nonfiction and Research
• 21:40 Next Week
• 21:54 Inspiration / Ezra Pound

May 25 Short Narratives, part 1

Having trouble with short narratives? Short stories? Narrative poems? Anecdotes in your blogs and essays/articles?

I had trouble. Free admission. I would launch into a story that I hoped would be 8,000 to 10,000 words only for the word count to top 20,000 or more. I was rather proud of myself when a planned short story ran less than 15,000 words.

My narrative poems ran longer than 5 or 6 stanzas. Think “Wreck of the Edmund Fitzgerald” length. For the blog I wrote, my example stories ran more than 15 to 20 sentences.

Too long. What’s that acronym? TL;DR. “Didn’t read.” Oops.

What was I doing wrong? Surely there’s a secret to short narratives? Guess what? There is! In this episode, I’ll share what I found.

Timings

• 1:45 Opening
• 3:28 Paul Simon’s “America”
• 4:17 Avoiding the School-Taught Plot Pyramid
• 5:15 Erle Stanley Gardner
• 6:28 Lester Dent
• 7:10 LDent’s Plot Formula
• 8:32 The Basics
• 12:00 Closing / Next Week
• 13:00 Inspiration / Raymond Carver

JUNE

June 1 Short Narratives, part 2

Success with short narratives? That’s our current goal. We’ve found Lester Dent’s Plot Formula.

We’re creatives, so we can adapt the formula to fit our genre needs. We know the four parts of the 4 movements. We’re writing fiction / poetry / non-fiction. What’s next?

The details, man. It’s all in the details … of the narrative.

Timings

• 1:05 Opening
• 1:52 Check-in
• 2:55 Lester Dent’s Plot Formula
• 7:21 Coincidence is a No-No
• 8:04 Garth Brooks’ “The Thunder Rolls” with the Formula
• 15:08 Riddling: a Tricky method to end any story
• 15:53 Closing / Next Week
• 16:28 Inspiration / Joyce Cary

June 8 Short Narratives, part 3

Major plot points in short narratives keep the story moving—whether a short story, a narrative poem, or an anecdote to personalize a blog post.

Explosive excitement, an angsty soul-changing crisis, a boxed-in corner that forces an intellectual revelation—these are perfect for the major story parts or movements, the opening and closing of each 1,500-word scene or a poem’s stanza or an article’s anecdotal paragraph.

What do we write in the middle of those parts? This episode can help.

Timings

• 1:22 Opening with 3 Requirements of a Short Narrative
• 2:05 Realm of Long Narratives vs. Realm of Short Narratives
• 4:11 Focus on the Middle of each Part / Movement
• 4:31 1^st Story Part or Movement (A & B)
• 6:25 Ways to Hide Clues
• 7:59 Carly Simon’s “That’s the Way I’ve Always Heard It Should Be”, 1^st stanza and chorus
• 10:25 2^nd Story Part & Simon’s 2^nd stanza
• 12:28 3^rd Story Part
• 12:52 4^th Story Part
• 13:29 Simon’s 3^rd stanza and final chorus
• 15:12 Closing / Next Week
• 15:46 Inspiration / Somerset Maugham

June 15 Short Narratives, part 4

Building Blocks for Short Narratives

Do we ever start writing blind to story? Not blind as in sightless, but blind in having no idea where we are going with a story? I say no. Many writers agree with me. Even if we have only the faintest glimmer of an idea, we have something to guide us.

The best short narratives engage and surprise us. Lester Dent knows how to keep each story separate rather than a dull repetition. He decides main points before he begins; these are his building blocks. We should, too. This episode can help.

Timings

• 1:20 Opening
• 2:09 Formulas with Pantsters, Plotters, and Puzzlers
• 5:08 Dent’s Building Blocks for all Stories
• 9:15 Dent’s Checklists for Each Story Part
• 11:19 Story-Song “Puff, the Magic Dragon”
• 14:38 Closing / Next Week
• 14:57 Inspiration / Sinclair Lewis

Interviews are Coming!

Resource Links for Short Narratives

Lester Dent’s Plot Formula / printable pdf / https://mgherron.com/2015/01/lester-dents-pulp-paper-master-fiction-plot-formula/

Paul Simon’s “America” https://www.azlyrics.com/lyrics/paulsimon/america.html

Video of above  America - Lyrics - Simon & Garfunkel - YouTube

Garth Brooks’ “The Thunder Rolls” https://www.azlyrics.com/lyrics/garthbrooks/thethunderrolls.html

Video of above "The Thunder Rolls"

“That’s the Way I’ve Always Heard It Should Be” video https://youtu.be/Ux7HgO9QhAc

            Lyrics https://www.azlyrics.com/lyrics/carlysimon/thatsthewayivealwayshearditshouldbe.html

LINKS for “Puff”

Video

Lyrics

 

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