Summer Series ~ Research and Short Narratives ~ May into June


Summer Series ~ A Mixed Miscellany

We have various short topics to discuss. Compiling them into our Summer Series seems a smart idea. (Of course, what looks good on paper sometimes doesn't translate to reality!)

Fiction / Poetry / Nonfiction / Interviews with Writers 

Thanks for listening to The Write Focus. We focus on productivity, process, craft, and tools. Our podcast is for newbies who want to become writing pros as well as veterans who are returning to writing after years away.

Looking for Links? All the way down!

INTERVIEWS begin in mid-June.

SHORT NARRATIVES for fiction, poetry, & nonfiction begin on May 25

MAY

May 18 Research / 3:21 / Episode 110

Research: a Ho-Hum topic? Not quite.

Research is necessary in all realms of writing.

Whether discovering the details that given veritas to our fiction, the details that we shouldn’t get wrong in commemorative poems, or just adding specific and elaborating details to our nonfiction, HUMDRUM RESEARCH is totally necessary.

The challenge comes in determining how many research details to use.

  • 1:11 Check-In
  • 2:50 Opening
  • 3:27 Challenges
  • 3:49 Fiction and Research
    • 4:31 Light Hand
    • 5:17 Active Use of Research
    • 5:52 Amount of Research to use
  • 7:26 Poetry and Research
    • 9:11 3 Chief Elements when presenting Occasional Poems
    • 9:16 4 Requirements of Song
    • 10:06 Public Ceremonies
    • 10:35 Writing for Independence Day
    • 12:50 Checklist for any poem / 10 To-Do’s
    • 13:46 Walt Whitman
    • 17:45 R. Waldo Emerson
  • 20:40 Nonfiction and Research
  • 21:40 Next Week
  • 21:54 Inspiration / Ezra Pound

May 25 Short Narratives, part 1

Having trouble with short narratives? Short stories? Narrative poems? Anecdotes in your blogs and essays/articles?

I had trouble. Free admission. I would launch into a story that I hoped would be 8,000 to 10,000 words only for the word count to top 20,000 or more. I was rather proud of myself when a planned short story ran less than 15,000 words.

My narrative poems ran longer than 5 or 6 stanzas. Think “Wreck of the Edmund Fitzgerald” length. For the blog I wrote, my example stories ran more than 15 to 20 sentences.

Too long. What’s that acronym? TL;DR. “Didn’t read.” Oops.

What was I doing wrong? Surely there’s a secret to short narratives? Guess what? There is! In this episode, I’ll share what I found.

Timings

  • 1:45 Opening
  • 3:28 Paul Simon’s “America”
  • 4:17 Avoiding the School-Taught Plot Pyramid
  • 5:15 Erle Stanley Gardner
  • 6:28 Lester Dent
  • 7:10 LDent’s Plot Formula
  • 8:32 The Basics
  • 12:00 Closing / Next Week
  • 13:00 Inspiration / Raymond Carver

JUNE

June 1 Short Narratives, part 2

Success with short narratives? That’s our current goal. We’ve found Lester Dent’s Plot Formula.

We’re creatives, so we can adapt the formula to fit our genre needs. We know the four parts of the 4 movements. We’re writing fiction / poetry / non-fiction. What’s next?

The details, man. It’s all in the details … of the narrative.

Timings

  • 1:05 Opening
  • 1:52 Check-in
  • 2:55 Lester Dent’s Plot Formula
  • 7:21 Coincidence is a No-No
  • 8:04 Garth Brooks’ “The Thunder Rolls” with the Formula
  • 15:08 Riddling: a Tricky method to end any story
  • 15:53 Closing / Next Week
  • 16:28 Inspiration / Joyce Cary

June 8 Short Narratives, part 3

Major plot points in short narratives keep the story moving—whether a short story, a narrative poem, or an anecdote to personalize a blog post.

Explosive excitement, an angsty soul-changing crisis, a boxed-in corner that forces an intellectual revelation—these are perfect for the major story parts or movements, the opening and closing of each 1,500-word scene or a poem’s stanza or an article’s anecdotal paragraph.

What do we write in the middle of those parts? This episode can help.

Timings

  • 1:22 Opening with 3 Requirements of a Short Narrative
  • 2:05 Realm of Long Narratives vs. Realm of Short Narratives
  • 4:11 Focus on the Middle of each Part / Movement
  • 4:31 1st Story Part or Movement (A & B)
  • 6:25 Ways to Hide Clues
  • 7:59 Carly Simon’s “That’s the Way I’ve Always Heard It Should Be”, 1st stanza and chorus
  • 10:25 2nd Story Part & Simon’s 2nd stanza
  • 12:28 3rd Story Part
  • 12:52 4th Story Part
  • 13:29 Simon’s 3rd stanza and final chorus
  • 15:12 Closing / Next Week
  • 15:46 Inspiration / Somerset Maugham

June 15 Short Narratives, part 4

Building Blocks for Short Narratives

Do we ever start writing blind to story? Not blind as in sightless, but blind in having no idea where we are going with a story? I say no. Many writers agree with me. Even if we have only the faintest glimmer of an idea, we have something to guide us.

The best short narratives engage and surprise us. Lester Dent knows how to keep each story separate rather than a dull repetition. He decides main points before he begins; these are his building blocks. We should, too. This episode can help.

Timings
  • 1:20 Opening
  • 2:09 Formulas with Pantsters, Plotters, and Puzzlers
  • 5:08 Dent’s Building Blocks for all Stories
  • 9:15 Dent’s Checklists for Each Story Part
  • 11:19 Story-Song “Puff, the Magic Dragon”
  • 14:38 Closing / Next Week
  • 14:57 Inspiration / Sinclair Lewis

Interviews are Coming!

Resource Links for Short Narratives

Lester Dent’s Plot Formula / printable pdf / https://mgherron.com/2015/01/lester-dents-pulp-paper-master-fiction-plot-formula/

Paul Simon’s “America” https://www.azlyrics.com/lyrics/paulsimon/america.html

Video of above  America - Lyrics - Simon & Garfunkel - YouTube

Garth Brooks’ “The Thunder Rolls” https://www.azlyrics.com/lyrics/garthbrooks/thethunderrolls.html

Video of above "The Thunder Rolls"

“That’s the Way I’ve Always Heard It Should Be” video https://youtu.be/Ux7HgO9QhAc

            Lyrics https://www.azlyrics.com/lyrics/carlysimon/thatsthewayivealwayshearditshouldbe.html

LINKS for “Puff”






 

Enhancements / February, March, & April and into May

 We're working through M.A. Lee's guidebook Discovering Sentence Craft.

Our focus : the special writing skills that we can learn and practice then apply in our next manuscript, using a light paintbrush.

The Enhancement series divides our practice into concepts and schema or ideas and structure or figurative language and rhetorical devices.
  • Figurative :: simile/metaphor/personification plus 6 more types
  • Interpretive :: allusions, archetypes, motifs, allegory
  • Inversion :: including anastrophe (Yoda speech) and chiasmus (my fav!)
  • Repetition :: simple and incremental, alliteration and more
  • Opposition :: dichotomies / juxtapositions like antithesis and oxymoron, irony and satire
  • Sequential :: ordering for intensification / auxesis, anticlimax, and parallelism like the isocolon.
Direct links to episodes become active on the day of the broadcast.
We are available from Apple to YouTube, Spotify and Podbean (my favs), Deezer and Podcaster, the rivals iHeart and Tune-in, and too many more to list.

Here are the 4 easiest:

My favorite podcast is Podbean. https://eden5695.podbean.com/

YouTube direct link to the Enhancements playlist: https://youtube.com/playlist?list=PLXi3M_aM-d7Iyaw3xDbgPAQrc1p8CG_Z7

Apple https://podcasts.apple.com/us/podcast/the-write-focus/id1546738740%20

Spotify https://open.spotify.com/show/4fMwknmfJhkJxQvaaLQ3Gm?si=0GFku2PbShWXiDhRp7JaDQhttps://eden5695.podbean.com/e/270-preptober-part-2-13-steps-for-dancing-part-1/?token=7b928fab89a35c042dcbfcdf2e206e4d

February 2 ~ Introduction

Apostrophes ~ no, not the mark of punctuation. It's the literary term. Know what it is? How about paradox? Sure on that? Chiasmus: my favorite, people enjoy when they see it, but do you know the term when you want to practice it? Can I stump you with these? Polysyndeton. Epistrophe. These are all Enhancements that can help your writing sing on the page. That's an implied metaphor, BTW.

Enhancements from anastrophes to zeugmas ~ the series starts with this episode.
  • 02:25 Who needs word tricks?
  • 05:18 Basic language information
  • 07:00 The only rule to remember
  • 08:25 Taste
  • 10:20 Periodic vs. Cumulative (more of a grammar lesson than helpful to writers)
  • 13:40 Denotation vs. Connotation
  • 16:40 Practice Connotation
  • 16:53 Next Week
  • 17:13 Inspiration / Charles Lamb

February 9 ~ Figurative Language, part 1

Similes: easy enough. Metaphors: also easy. Direct Metaphor: just like a simile. Implied Metaphor: now we’re getting complex. Hyperbole: easy again. Great for insults.

How about metonymy and Synecdoche?

“Wait, I know these,” you say. “Let me remember. I haven’t heard them since high school. Metonymy’s when a part of something represents the whole. Oh, that’s synecdoche. I don’t remember metonymy.

Don’t stress. This episode of The Write Focus will help.

Examples from poetry, novels and speeches.

·      ·         04:10 Comparison Equations
·         07:42 Simile
·         11:35 Metaphor
·         14:05 Simile vs. Metaphor
·         16:15 Metonymy
·         17:25 Synecdoche
·         19:52 Hyperbole
·         22:49 Next Week
·         23:09 Inspiration

February 16 ~ Figurative Language, part 2

A love of words. A love of what we writers can do with words. We can tell an engrossing story and create characters that we love and that we love to hate. We can make our readers cry and laugh. We can persuade and win points or write an angry tirade for our soapbox of choice. We can play with words, language acrobatics, jumping words through fiery hoops and tumbling and backflips.

And compelling writing at the sentence level starts with comparisons, with figurative language.

Want to improve your sentence craft? This episode can help.

Samples from poetry, novels, and speeches with extended poem excerpts or entireties listed below. (Is that a word?)

·        1:20 Check-In
·    6:23 Extended Metaphor
o   Edna St. Vincent Millay’s “First Fig”
·         8:10 Metaphysical Conceit
o   John Donne’s “A Valediction: Forbidding Mourning” (excerpt)
o   William Shakespeare’s “All the World’s a Stage”
·         14:50 Litotes
o   Robert Frost’s “Fire and Ice”
·         18:43 Personification
o   Robert Frost’s “My November Guest”
·         23:07 Anthropomorphism
·         24:20 the literary Apostrophe
o   John Donne’s Holy Sonnet 10
·         26:15 Next Episode
·         26:30 Inspiration / Tennessee Williams

February 23 ~ Interpretive / Symbols part 1

What’s an easy and ingenuous way to elevate our writing to the next level? This way works down into the words we place on the page. In character descriptions. Setting development. Plot dynamics. It’s like a secret language that most readers don’t know about even as their subconscious recognizes that secret language. In many respects, this is global, recognized everywhere. If no one spots it—which is always good—this secret gives us writers a satisfactory glow every time we touch it onto the page.

What is this easy and ingenuous way to elevate our writing? Symbols.

  • 1:16 Symbols: Realm of the Interpretive
  •  4:13 5 Clues to Interpretation
  •  4:48 symbols in Toni Cade Bambera’s “Blues Ain’t No Mockinbird”
  •  5:39 bird symbols in James Hurst’s “The Scarlet Ibis”
  •  7:19 symbols and allusions unlock additional knowledge
  •  8:46 :: 1, 2, & 3
  • 10:38 :: 4, 5, & 6
  • 16:53 :: 7, 8, & 9
  • 21:52 :: 10 & 11
  •  24:09 :: 12 & 13
  • 26:27 Using Symbolic Numbers
  • 28:08 Next Week
  • 28:20 Inspiration / HonorĂ© de Balzac

March 2 ~ Interpretive / Symbols part 2

Last week was a half-hour episode on Symbolic Numbers. This week we’re all about symbolic colors, and we have our regular length: long enough to fix a quick dinner, drive a short commute, or take a brisk walk.

We explain the 3 primaries red, blue, yellow; the neutrals black, white, grey; the metals silver and gold; and the vivid purple, green, and orange. Can’t leave out brown, the color of old sacrifice.

Join us for ways to enhance your writing by changing a single word.

It’s the Enhancement series, on The Write Focus.

  • ·         1:14 Symbolic Colors (and Times)

  • ·         3:19 Only 3 Colors in One Culture
  • ·         4:27 Robert Frost’s “The Road Not Taken”
  • ·         6:32 red / blue /white
  • ·         7:07 green / purple
  • ·         7:51 black / white / grey
  • ·         8:56 silver and gold
  • ·         9:46 orange and brown
  • ·         10:34 NC Wyeth’s painting of Arthur Receiving Excalibur
  • ·         12:12 F. Scott Fitzgerald’s The Great Gatsby
  • ·         12:44 Irene Hunt’s Across Five Aprils
  • ·         16:42 Symbolic Colors and Times questions
  • ·         17:31 Next Week
  • ·         17:51 Inspiration / Alfred Kazin

Special Links

The Road Not Taken by Robert Frost | Poetry Foundation

NC Wyeth 450px-Boyskingarthur-wyeth-excalibur-lady-of-the-lake.jpg (450×574) (summitlighthouse.org)

March 9 ~ Interpretive / Imagery

It’s the 100th episode. Time to Celebrate.

And

Besides symbolic colors and numbers, how else can we add single words and short phrases to enhance our writing? We’re delving into simple touches that we can add to stories and poems and novels AND nonfiction essays and blogs to enrich the text for our readers.

Key words here are simple touches. These carry a tremendous wealth of information.

By having several tools in our writers’ toolbox, we can layer our enhancements in with a light touch. With our previously discussed metaphors and other figures of speech, we dab in a color symbol or three, a number here and there. But we’ve barely explored the writer’s toolbox.

In this episode of The Write Focus, we offer another method to touch a highlight to our writing.

  • ·         1:30 Celebration 
  • ·         2:30 Imagery       
  • ·         3:00 Chiaroscuro in The Scarlet Letter 
  • ·         4:34 Omar Khayyim’s Rubaiyat, translated by Edward Fitzgerald
  • ·         8:45 Emily Dickinson 
  • ·         10:39 Tone / Mood / Atmosphere 
  • ·         11:30 e.e. cummings’ “i carry your heart” 
  •      15:43 Next Week 
  •      16:00  Inspiration / William Shakespeare

March 16 ~ Interpretive / Archetypes & Allusions

Last episode I had a major oopsie. Almost finished recording three tools (imagery / archetype / allusion) for our Enhancement Writer’s Toolbox, and I realized the recording had approached 40 minutes. Quelle surprise!

Now I stumble over words and pause and take long breaths, but I know—know—that I wouldn’t have enough errors to lose 20 minutes. I can accept reaching 25 minutes. We’ve had a ½ hour episode, part 1 of Symbols (the numbers). But multiple ½ hour and more episodes? No. NO. That defeats The Write Focus’s stated length: time for a quick commute, brisk walk, or fast meal-prep.

The plan to cover imagery, archetype, and allusion in one episode was because all three contain a wealth of information in one word or phrase (a Herculean task).

Therefore, rather than run 40 minutes, I broke that planned episode into two.

  • Ă˜  Imagery last week
  • Ă˜  Archetype and Allusion this week
  • Ă˜  Finishing the Interpretive Realm with Allegory next week

  • ·         1:45 Archetype
  • ·         4:26 Shapes and Colors and Situations
  • ·         5:38 Allusions
  • ·         9:00 In Shakespeare’s Romeo and Juliet
  • ·         11:40 Classical Mythology common allusions
  • ·         12:09 Old and New Testament common allusions
  • ·         12:52 Bordon Deal’s “Antaeus”
  • ·         15:46 Next Week
  • ·         16:08Inspiration / Natalia Ginzberg

Special Links

Emily Dickinson ~ both versions of “I Never Saw a Moor” https://allpoetry.com/I-Never-Saw-a-Moor

e.e. cummings ~ “i carry your heart” https://www.poetryfoundation.org/poetrymagazine/poems/49493/i-carry-your-heart-with-mei-carry-it-in

 

March 23 ~ Interpretive / Allegory pt. 1

A Relatively Short Episode at 12 minutes

Ever heard a story, and just know, know that something extra is also part of the story? Not hidden bits and pieces but a whole narrative?

A top story is running along, but another story runs underneath the surface, occasionally poking up the periscope for a look around before re-submerging so it can run silent, run deep? (Yep, that’s an allusion to the famous submarine movie.)

That submerged story, it’s an allegory, and the allegory occurs more often than we would imagine.

How do we craft our allegories? This episode can help.

  • ·         1:18 Allegory
  • ·         3:01 Parables as Allegories
  • ·         6:23 George Orwell’s Animal Farm
  • ·         7:21 Jack London’s Call of the Wild
  • ·         10:04 Next Week
  • ·         10:31 Inspiration / Francois Mauriac

March 30 ~ Interpretive / Allegory pt. 2

Mystical wanderer. Dark desert highway. A ragged prince who turns into a toad. The beast of fame that cannot be killed.

Recognize these images? Yep, it’s Carole King’s “Tapestry”, a riddling allegory that questions more than it answers, and “Hotel California” by the Eagers, another allegory of Fame and the goddess Fortuna.

“Hotel California” has a classical music connection to Carl Orff’s “O, Fortuna.” Now that’s a surprise.

These chart-topping songs are the focus for Allegories, part 2. Come along as we explore the songs and their allegories and discover how to craft an allegory in our own writing.

  • ·         1:23 Check-In

  • ·         2:10 Carole King’s “Tapestry”
  • ·         10:04 Carl Orff’s “O, Fortuna”
  • ·         11:00 The Eagles’ “Hotel California”
  • ·         18:23 Next Week
  • ·         18:52 Inspiration / James Baldwin

Special Links

Carole King - Tapestry Lyrics | AZLyrics.com

Carole King performing “Tapestry” with images https://youtu.be/LUWIwhhxyDM

Eagles - Hotel California Lyrics | AZLyrics.com

Eagles’ live performance https://youtu.be/l4Cb9Hj1WZM  

Lyrics to O Fortuna | Latin and English (had2know.org)

Andre Rieu conducting a performance of “O Fortuna” AndrĂ© Rieu - O Fortuna (Carmina Burana - Carl Orff) - Bing video


April 6 ~ Inversion / Words out of Natural Order

“Always in motion is the future.”

Do you recognize that quotation? You may be able to because the words are out of natural order.

It’s Yoda!

No, we’re not going to talk about Yoda and the Star Wars franchise or laser swords.

Our focus for this episode is Words Out of Natural Order. That happens more often than we writers realize.

Inversion, switching up the natural order of words, is more than Yoda and a Zen-like character device that became a gimmick.

It’s recognizable, though, isn’t it?

How can we use Inversion to create our own writing—without becoming a gimmick? This episode of The Write Focus can help.

  • ·         1:18  Inversion: Simple Device or Gimmick?   
  • ·         1:53 William Ernest Henley’s “Invictus”
  • ·         3:32 Subject Out of Position /  4 Subject Inversions
  • ·         9:22 Yoda Charm and  Subtle Inversion (a/k/a Anastrophe)
  • ·         10:28 Emily Dickinson and Henley, again
  • ·         12:27 Chiasmus
  • ·         16:08 Closing / Next Week
  • ·         16:16 Inspiration / C. Day Lewis

For CHIASTIC STRUCTURE, which is too involved to hear (You have to SEE it), visit this link and look for the Chiastic Structure of the Iliad books.

·         Homer and the heroic tradition. (1958 edition) | Open Library

April 13 ~ 3 Types of Repetition

“Tomorrow and tomorrow and tomorrow / Creeps in this petty pace from day to day.”

Why are we quoting the famous Macbeth speech by Shakespeare? It has two separate types of repetition. The 1st type is simple repetition with two instances. The 2nd type is a repetition of opening sounds.

In this episode we’re also going to talk about a third clever type of repetition.

Three types of repetition. Did you know repeating words is a proliferate writing technique? Like Guppies, words clone each other. Join our presentation of three simple ways to capture reader interest and curiosity.

  • 1:32 Opening
  • 2:56 Repetition has impact
  • 3:12 repetition examples
  • 4:03 George Gordon, Lord Byron: “We’ll Go no more A-Roving”
  • 5:18 Incremental Repetition
  • 5:32 Examples, including the “Lord Randall” ballad and William Stafford’s “Fifteen”
  • 9:05 Joni Mitchell’s “Both Sides Now”
  • 14:01 polysyndeton and anaphora
  • 15:23 Alliteration
  • 16:38 French Rhyme vs. English Rhyme
  • 17:28 Old English poems
  • 18:40 alliteration examples
  • 20:45 Wilfred Owens’ “From my Diary, July 1914”
  • 22:00 Next Week
  • 22:10 Inspiration / R. Waldo Emerson

Special Links

Judy Collins sings BSN with Arthur Fiedler's Boston Pops as accompaniment

April 20 More on Repetition

Repetition. We focused on simple repetition in the previous episode, from the riding, riding, riding of “The Highwayman” up to the old inn door to the clever use of incremental repetition, with “I’ve looked at cloud … and love … and life” in Joni Mitchell’s “Both Sides Now”, and to alliteration of “streaming rain, blinding sleet, stoned by hail, freezes the frost and fall the snow” from an Old English poem.
This time we look at the intricate types of repetition, to and fro, fast and slow, front and back, complicated but powerful. It’s Repetition, part 2.

  • 0:58 Opening
  • 1:07 Antistrophe
  • 3:18 Epanalepsis
  • 4:30 Amplification
  • 5:23 Anadisplosis
  • 6:46 Polysyndeton
  • 7:53 Asyndeton
  • 9:51 Anaphora
  • 13:35 Epistrophe
  • 17:20 Nest Week
  • 17:30 Inspiration / John Hersey


April 27 Opposites, part 1

Opposites / Dichotomies are the foundation for all ideas. The positive / negative synergy develops concepts for finance and commerce, business and manufacturing, science and tech, fiction and nonfiction, art static and art dramatic.

The world also has its triads and quarternaries ~ past / present / future and earth / air / water / fire.

We have many more dichotomies than triads and quarternaries and even symbiotic dualities (yin / yang). When the opposition is presented “for effect”, then we have an Enhancement.

  • 1:00 Opening = opposites / dichotomies / juxtaposition
  • 2:12 Antithesis = explanation and examples
  • 4:46 Robert Southey’s “Winter”
  • 6:10 Oxymoron = explanation and examples
  • 6:42 In Romeo and Juliet
  • 8:13 in Hamlet
  • 9:06 “Lesson of the Moth” by Don Marquis
  • 13:57 Starting in Mid-May
  • 14:12 Next Week
  • 14:40 Inspiration / Somerset Maugham


May 4 Opposites, part 2 

“I always lie.” There’s a conundrum for you. If we tell people that we’re lying—are we lying or telling the truth? Yes? No? Difficult to tell, isn’t it?

The opposites in this week’s episode offers 3 types that can quickly entangle us. If you’ve ever been mixed up about paradox, irony, or satire, this episode can help.

  • 1:08 opening
  • 2:09 Paradox with explanation and examples
  • 5:31 paradox that fills “Counting Stars”
  • 10:13 Irony with explanation and examples
  • 12:13 Frost and Dickens
  • 14:19 3 Forms of Irony
  • 16:05 Cosmic Irony
  • 17:13 Satire with explanation and examples (including lampoon and farce)
  • 19:17 Geoffrey Chaucer and Jane Austen
  • 21:52 the American master Mark Twain with modern examples
  • 25:03 Next Week
  • 25:18 Inspiration / Roy Blount Jr.

LINK to "Counting Stars" lyrics


May 11 Sequences

We're going from A to Z this week, as we discuss Sequences, the last of the Enhancement series.

Climbing higher and higher = foothills, ridges, mountains.

Getting worse and worse = aged, ancient, decrepit.

Listen up to discover ways to sequence, progress / regress, ascend / descend, and create clever jumps in meaning.

  • 1:10 opening
  • 2:45 deliberate ordering: ranking, progressions, expansions 
  • 8:08 anticlimax
  • 9:25 auxesis
  • 12:14 zeugma
  • 15:06 parallelism 
  • 17:26 isocolon
  • 18:50 elliptical constructions
  • 22:06 closing / next week
  • 22:25 inspiration / Annie Dillard

Resources and Links

Discovering Sentence Craft by M.A. Lee

2 Online Compendium References for Rhetorical and Figurative Devices: 

Productivity from WMG Publishing and Dean Wesley Smith

September Continues with our Writing Decisions

 June built the novel. July wrote it. August finished the manuscript draft and checked on pacing. Last week in August we looked at our writing self: method / discipline / story sequence and the best way to get disruptions from being ... well, disruptive.

September continues with the Biz decisions every writer makes.

While we let the manuscript cook, our brains gain objective distance by planning and implementing our writing business. We have a lot of decisions to make.

Yet we don't take the whole month for those business decisions. Luckily, September has 5 Wednesdays. On the 4th Wednesday, we touch the manuscript again with the Harvest Stage. Last week of the month, we enter the Publishing Stage. Yippee!

Be proud and be loud when you finish this month. First, you've done what many will never do: you've finished a novel AND published it. Second, you've done it in 4 months.

Now that we have a LOT of decisions made, now that we know what to do, we can use Preptober to prep for the National Novel Writing Month in November. In November, we can write the 50,000-word novel that every writer talks about for NaNo. Guess what? You may publish 2 books this year!

Thanks for listening!

If you find value in this podcast, share with your writer friends and/or write a review for other writers who need guidance.

(Remember, no links are active until the day of the post.)

September 1 :: Analysis C ~ The Writing Biz

Decisions, decisions :: 2 key ones that will affect your writing biz now and five years from now.

4 jobs that you must have done before you publish.

Sept. 8 :: Analysis D ~ Space and Time for Writers

Space :: your writing space and essential tools

  • ·         Efficiency methods for writing
  • ·         Tools to save your eyes
  • ·         Methods to save your health
  • ·         Avoid distracters / Encourage concentration

Time :: your writing schedule

  • ·         Setting a writing calendar that you can maintain
  • ·         Commitments and obligations (including overcoming guilt)
  • ·         Jobs pay the bills
  • ·         What to avoid when Bum in Chair

Sept. 15 :: Analysis E ~ the Double D's

Double D’s are Designers and Deadlines (No, that’s not calenders or writing goals.)

Cover designers are essential when writers don’t also have degrees in graphic design. The first of this week’s episode covers what to expect with a professional designer.

Numbers rule publishing. Yes, words are essential, but the words are based on numbers, even for those in self-publishing.

Sept. 22 :: the Harvest Stage

Harvest ~ Revision, Enhancements, Editing

Harvesting a manuscript takes more than a single week’s worth of work. What is our focus for the three areas above?

·         What areas does revision cover?

·         How do we enhance our draft? (Motifs and Literary Devices to explore)

·         Editing Rounds (several ways) with Corrections more than once

Sept. 29 :: Presence, Promotions, Publish, and Party!

4 Jobs to get that finished novel into the marketplace.
And celebrations are always necessary.

Beginning in October, new content related to challenges and Preptober.

Since you then!

Resources and Links

Discovering Your Novel, everything you need to know to write your first novel or to rescue those story ideas that never turned into completed manuscript. Designed to write your novel in a year and set up in a weekly format, with Charts!  https://www.amazon.com/gp/product/B07PYYM2LG/ 

    We've been pushing through our summer series. Sometimes--especially with demanding jobs--we have to work much more slowly. Discovering Your Novel takes 52 weeks, working through the whole year at a non-demanding pace. This Summer Series was definitely a demanding pace.

    If you have a manuscript that you don't know where it went wrong--but you definitely know it has, use this guidebook and start with each week's work to analysis problems and develop solutions. When you work through the Foundations / Envisioning / Pacing / Harvest stages, you can create a better manuscript that you won't fear to publish!

    Here's a Post on Writers Ink NonFiction that contains all the charts in DiscNovel, including the Analysis template and the Archetypal Story Pattern (ASP) chart as pdfs :: FREE! Discovering Your Novel ~ All Charts - Writers Ink Nonfiction 


Find us!

Write to us at winkbooks@aol.com.

Listen on your favorite podcast site:

YouTube direct link to the Discovering Your Novel playlist: https://youtube.com/playlist?list=PLXi3M_aM-d7IjuIS4daWlkiT4jRvRmnUM

My favorite podcast is Podbean. https://eden5695.podbean.com/

Then we have Apple https://podcasts.apple.com/us/podcast/the-write-focus/id1546738740%20

Spotify https://open.spotify.com/show/4fMwknmfJhkJxQvaaLQ3Gm?si=0GFku2PbShWXiDhRp7JaDQ



The Write Focus ~ Who / What / How / Why

Writer's Block ~ Defeat It! / Gardner's Techniques part A / 7:43

  66,000 words per week 140 titles published ~ novels and short stories. Of that number, 100 of them sold over one million copies EACH. Tran...

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