Fall into Poetry / Unexpected Monsters

 

Love. Betrayal. Death. Those subjects we discussed in our story-song and in other recent poems, including Christina Rossetti’s particular version of false love and twisted betrayal—Lust that isn’t love, summer friends abandoning her in her self-exile, her false love leaving her to face her trouble alone.

When we’ve endured betrayal, our memories of that traitors are as a monster.

Monsters need not have venom-dripping fangs and wicked-sharp talons. The worst monsters are in our own selves, the ones who want to stay with that “dragon who keeps so fair a cave” (Shakespeare).

As we near All Hallow’s Eve, we look for stories and poems and blogs about monsters. The horror genre gives us unreal monsters while the thriller genre gives over-the-top monsters, like Hannibal. We have fantasy monsters and domestic villains as monsters. We writers bend tropes.

The best monsters, though, never seem like monsters until we fall into their clutches.

 TIMINGS

00:00 Welcome

00:40 Introduction / Monsters

03:55 Heinrich Heine’s “The Lorelai” / the femme fatale

08:10 Lessons for all Writers #1 and #2

11:48 Lesson #3 Find your Monster

Last Words / Closing

15:00 Total Run Time = 17:04

 

#heinrichheine #lorelai #femmefatale #blackwidow #theme #thesis #womenasmonster #goddessofrevenge #nemesis #siren #gorgon #graiae #odysseus #mythology #revenge

 LINKS

Heine's biography https://en.wikipedia.org/wiki/Heinrich_Heine

"Lorelai" http://www.poetryatlas.com/poetry/poem/2255/the-lorelei.html#:~:text=The%20Lore-lei%20has%20done!%20The%20American%20Poet%20Thomas%20Bailey 

Analysis is All Original Content / No AI Used


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Fall into Poetry / Unexpected Monsters

  Love. Betrayal. Death. Those subjects we discussed in our story-song and in other recent poems, including Christina Rossetti’s particular ...

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